[00:03.080] |
Sold. |
[00:04.900] |
Your number, sir? |
[00:06.500] |
Thank you. |
[00:08.040] |
Lot 665, ladies and gentlemen. |
[00:11.730] |
A papier-mâché musical box in the shape of a barrel organ |
[00:15.570] |
Attached, the figure of a monkey in Persian robes playing the cymbals |
[00:20.450] |
This item, discovered in the vaults of the theatre |
[00:24.130] |
still in working order |
[00:26.180] |
Showing here |
[00:27.710] |
May I start at twenty francs? |
[00:29.720] |
Fifteen then. Fifteen I am bid. |
[00:32.810] |
Twenty, sir, thank you. Twenty. |
[00:34.280] |
Twenty-five, thank you, madame. |
[00:36.650] |
Thirty. Selling at thirty, then. |
[00:38.900] |
Thirty once, twice |
[00:42.100] |
Sold for thirty francs |
[00:44.010] |
to the Vicomte de Chagny. Thank you, sir |
[00:48.800] |
A collector's piece indeed |
[00:53.510] |
every detail exactly as she said |
[00:59.200] |
She often spoke of you, my friend |
[01:02.940] |
Your velvet lining and your figurine of lead |
[01:08.770] |
Will you still play when all the rest of us are dead? |
[01:17.810] |
Lot 666, then |
[01:20.670] |
A chandelier in pieces |
[01:22.940] |
Some of you may recall the strange affair of the Phantom of the Opera |
[01:28.000] |
A mystery never fully explained |
[01:30.170] |
We are told, ladies and gentlemen |
[01:32.020] |
that this is the very chandelier which figures in the famous disaster |
[01:36.990] |
Our workshops have restored it |
[01:39.500] |
and fitted all parts of it with wiring for the new electric light |
[01:42.900] |
so that we may get a hint of what it may look like when reassembled |
[01:46.940] |
Perhaps we may frighten away the ghost of so many years ago |
[01:51.590] |
with a little illumination |
[01:53.630] |
gentlemen |